What changes
The edit returns from one line of action to another, allowing viewers to follow them in parallel.
CROSS-CUTTING · intermediate
Cross-cutting
Cross-cutting alternates shots from two or more lines of action in different places, usually to suggest simultaneity.
On-set method
- Make each line of action clear on its own.
- Alternate between the actions while preserving each location’s continuity.
- Check whether the pattern clearly suggests the intended simultaneous relationship.
Useful for
- Present actions occurring in different places
- Build suspense as separate lines of action approach convergence
Common mistakes
- Implying simultaneity when the story does not support it
- Making either line of action unclear before alternating away from it
05
Practice
Record two simple actions in different places and intercut them so they appear to occur at the same time.
06
Compare
Cross-cutting alternates separate lines of action; montage emphasizes graphic, rhythmic, or conceptual relationships between shots.
FAQ
Does cross-cutting usually imply that actions are simultaneous?
Yes. The cited definitions describe separate places shown alternately, usually to create the impression of simultaneity.
Supporting sources
- Pitzer College, “Language of Film: Key Terms”
- Columbia University Film Language Glossary, “Parallel Editing”
- Humanities LibreTexts, Tokyo in Film, §4.3.4 “Continuity Editing”
- Columbia University Film Language Glossary, “Montage”
Further discovery
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